Alfonso Marin
I conceive playing and building lutes as facets of a combined discipline, insights and understanding of each influencing the other. This approach is not only inspirational but also yields practical results. In my conception of early plucked instrument building, an instrument begins mainly as an idea of a particular sound that is moulded by the type of instrument, the intended repertoire, my hands-on experience as well as my personal taste and that of the customer. I search for that distinct sound quality in the carefully selected wood and its resonance as I carve, cut, saw and shape it until that ideal sound becomes a reality.
I feel immensely fortunate to work with two of the things I love most in life; playing music and lute making. Building a historical instrument from a few planks of rough-sawn timber is by itself a very satisfying experience that peaks the moment I put strings on it, and I play the music of the great old lute and vihuela masters that has been an integral part of my life for the last 30 years.
Recordings on Musica Ficta
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John Dowland
Clear or Cloudy, Lute songsDowland Stay time awhile thy flying
Dowland Say love if ever thou didst find
Dowland Flow my teares (Lacrimæ)
Dowland Come again, sweet love doth now invite
Cavendish Wand’ring In This Place
Dowland Mrs Winter’s Jump
Dowland Can she excuse my wrongs? (First Booke of Songes, 1597)
Rosseter When Laura smiles
Dowland Sorrow, stay
Dowland Mr Dowland’s Midnight
Dowland Come away, come, sweet love
Dowland I saw my Lady weepe
Dowland Wilt thou unkind thus reave me?
Rosseter No grave for woe
Holborne Cradle Pavan
Holborne The Fairy Round
Dowland Cleare and Cloudie sweet as Aprill showring
Ford Come, Phyllis, Come Unto These Bowers
Campion Fain Would I Wed
Campion Shall I come, sweet love, to thee?
Dowland Preludium
Pilkington Rest sweet Nimphs
Johnson Have You Seen But a White Lily Grow?Valeria Mignaco, Alfonso Marin
1CD | MF8009 | 5410939800926